Meanings are socially constructed, and, therefore, understanding signs is fundamental in how meaning gets made. And it is primarily a question of identity, and with India, this has developed only in the past 60 or 70 years … Ideas of the nation state only emerged in the 19th century, so this is a new identity. “I am watching Bigg Boss 14. It looks at the idea of the nation state as being, well, what we would like to imagine the nation state to be. Shilpa asserted how she doesn’t want to give any kind of footage to Vikas, as he might try to gain sympathy for this as well. When it is the privileging of form, the privileging of content, and the privileging of the trend. I’m interested in how various subjectivities alter the way we make meaning. I am interested in how it is that people place themselves – because that is very relative; how do they zoom in and zoom out of their locations? Subscribe Here https://lnkd.in/eFnXZzM for more updates.. #Interview #SaturdayStardom #sujayguptalive #searchglassfilms #Knovalt #Celebrity #CelebrityInterview #latenightshow #ChatShow #LiveShow #zoominterview But I see how curators are interested in the idea of the language of a place. I find it strange when encountering her works in white-cube spaces: it is the meeting of opposing registers – something as static as the setting for works that are so porous, in which, frequently, the maps have to be bent to fit to the shape of the space. SG: I think there is always another life to the work, and it can exist outside the white cube as much as it does inside it. Gupta very often insists visitors also take work away from the gallery space itself: small crocheted boxes, or even, large soap bricks on which are embossed the word: THREAT (Threat, 2008-9). Shilpa Shinde and Vikas Gupta’s massive fight is not known to all. Shilpa Gupta’s works are like the uninvited guest who barges into your drawing room and refuses to leave. For More Such News & Gossips Subscribe now! By Yin Ho. Gupta says: “There are works of mine that sit in the white cube, or which float in the white cube, or those that slip out of the white cube entirely.” And it is a useful descriptor of her practice – there is always room for the political to falter. June 2008 Currently, the galleries BodhiBerlin and Volker Diehl present the first monograph exhibition entitled “BlindStars StarsBlind” in Germany of the Mumbai-based artist Shilpa Gupta. How do you feel this dialogue has evolved since, given the recent trend towards showing and making “political work”, which often results in a superficial engagement with any real politics. The actress, however, chose to pay no heed to Gupta. Of course, she gives the occasional interview, but not without struggle. Noch nicht erschienene Titel. Shilpa Gupta. Copyright © 1893–2021 Studio International Foundation. SPOTBOYE. Artist Shilpa Gupta, 39, and Pakistani artist Rashid Rana showcased at the Venice Biennale last year. Mehr Informationen; Auf den Merkzettel; 2021, Englisch | ISBN 978-3-7757-4552-9 | Erscheint im März 2021. SAT: I’m glad that you brought that up. New York, NY 10021-0043, USA, About Earthy Transitions: India Art Fair 2014 SG: I’m interested in the fact that the viewer can step, very momentarily, into this complicated space and then move on from there. Maybe it’s just another scar, I kept saying. We’re thinking of two points of balance: we have South Asia here, and there we have the western, European view. In 2013, when it was shown on the streets in my neighbourhood, some onlookers even drew associations with the 2012 Delhi gang-rape case, very much on people’s mind then. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. Do you think it’s blessed when you bring it into your home? Then there are those who would like the art object to have a direct consequence – and one often hears the same story, why art, why not direct action? School of Fine Arts from 1992 to 1997. While there is a central idea in each of them, the text is intentionally fragmented to reflect on the way ‘thought’ can travel, node to node, somewhat also mirroring the hyperlinked, hyper-present, online space. Her work has been showcased everywhere from New Delhi to New York, from Tokyo to Tel Aviv, from art galleries in Austria to taxis in Toronto. Written by Vandana Kalra | Updated: September 6, 2020 6:26:42 am Shilpa Gupta. And it’s about inhabiting a space that is actually a shared space, and sort of collapsing the space between you and me – so that we are able to think together. For example, “12:00 Date with Mum Cancelled” refers to time in suspension and not being able to meet my mother owing to social distancing, “17:00 Sirens” is the time police vans outside my streets would drive by, making sure that streets get emptied. It is interesting to look at the period between 1997 and 2006 and see how art practices shifted when the world’s gaze came in. Does it look like it is art? Many people asked whether the shape of the scar represented a map of Kashmir, but it was not intended to be the map of Kashmir. Buchhandel; Autoren; Presse; Rechtliche Infos; Datenschutz; Impressum; English Site; Hatje Cantz Verlag > Neue Bücher (Treffer 31 bis 40 von 63) Neue Bücher. I suppose, the open-ended and interactive form of the works allows for such wide-ranging readings. the Studio International Foundation, PO Box 1545, SAT: It’s funny, because places almost always have multiple languages. SG: In 2010, I was in a show at Yvon Lambert Gallery in Paris, Wish List of a Young Collector, and at the same time there were a lot of these big “India” shows going around. Interviews; Künstler & Kunstlexikon; Wir über uns; Newsletter; Kontakt. Shilpa Gupta is author of the novel entitled Ananya: A Bittersweet Journey, which was published earlier in the year.We interviewed Shilpa to find out more about the lady herself, to learn about her book, to get some tips on writing and getting published, and to get a sneak preview of her next book. Wheredoiendandyoubegin will be shown next month at Fondazione Merz in Turin, Italy. And now we sort of balance it out by trying to bring the conversation here and hopefully tilt it in another direction … But what are we trying? Shilpa’s clarification comes in the form of a long note that reads, “I am not following #Bigboss14 and have not given any interview regarding any … I was offered an amount for travel, but, instead, I used the money for making the work, and had 1,500 boxes crocheted by different women. Yes, location does have an impact. Do artworks keep evolving, acquiring new meanings, even after leaving the artist’s studio? Locations can, indeed, have different reactions and so does time. I was showing a work in the Lyon Biennale in 2009, Untitled, which is a gate that moves from left to right and breaks into a wall with its movement. In this interview, Gupta talks about the exhibition now on show at Vadehra Art Gallery, Delhi, and how politics informs her work. Shilpa Gupta's work sometimes takes place outside of or leaves the gallery, and ranges from photographs and objects to websites and interactive video. However, in a rather short period, this changed, and many were incorporating similar ways of working. Interview. Even after the show got over, they kept on giving statements about one another. Shilpa Shinde Interview after Winning Bigg Boss 11 | Shilpa Shinde WINS | SpotboyE. All rights reserved. She sculpts them, using fine copper wires beaten and bent by hand to mimic their topographies. So you enter the space with these boxes and each box had a tag on it: “This object has been blessed by so-and-so such that it will bring peace and happiness where it stands crocheted by …” and their location. The Indian Express is now on Telegram. Maybe we are trying to look for authenticity but we already know that it is a memory that is punctured. Shilpa Gupta is essentially a new media artist. Is it visibly Indian? It begs the question of whether authenticity is even relevant when it is performed for a global gaze, particularly with what happens to identity politics or conversations around labour and migration. Photograph: Shrutti Garg, courtesy of the artist. In an interview with Pinkvilla, Shilpa clarified that she is not watching Bigg Boss 14 and doesn't want to talk about Vikas Gupta. Now this gate, or the object, it could be the map of a place, but it could be even be a hole in the brain of a housewife in my neighbourhood, or those who aspire to move outwards and away from a boundary, or that enable a way of seeing. 12:35. I think when we are looking at an art object, we look for meaning, experience or some kind of resolve. With the project Aar Paar (2002), a public art project between India and Pakistan, we just exchanged images and put them out on the streets. Courtesy the artist; photograph: Anil Rane. By Enrico on 20. When asked about Vikas Gupta and Bigg Boss season 14, Shilpa … There are, of course, ways in which your work does pull into the white cube from the outside world – but how do you feel it moves outwards as well? Blame, 2002–04. Reza Abdoh. Now, looks like even after three years, Shilpa and Vikas are still dushmans. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. And maybe the “I” opens up that possibility. Many places which have chosen democracy and freedom several decades ago are increasingly dealing with fear being wielded to curtail free speech. Maybe not better, just … easier. Here's Shilpa Gupta talking about her work: Voice of the poets from the prison - Shilpa Gupta. 100 hand-drawn maps of my country, 2008–ongoing. How do you ‘engage with the idea of distance’ in WEARECLOSERTHANYOUEVERIMAGINED, on view at the main railway station in Chemnitz, Germany? By Enrico on 20. Another example would be an outdoor light installation which is currently being shown on Lake Zurich. Shilpa Shetty is Proud of Sushmita Sen's Performance in Aarya, Calls Her 'Tigress' News18. jun 20, 2012 . SPOTBOYE. Now, Shilpa Shinde has reacted to Vikas Gupta dragging her name in Bigg Boss 14. Shilpa Gupta, Someone Else – A library of 100 books written anonymously or under pseudonyms, 2011. Hoardings, newspapers, schoolbooks, internet – we inhabit a highly mediated world. Now, in an exclusive interview with Pinkvilla, Shilpa opened up about her name being brought up on the current season by Vikas. Yet it has become an identity that people want to stand by, and to really look through that lens. I’d made the work after spending time in Srinagar. 1:08. Fifteen years ago, it was made against the background of religious polarisation. Later, both of them tried to mend ways, but that did not work. | Shilpa Shinde … In this interview, Gupta talks about the exhibition now on show at Vadehra Art Gallery, Delhi, and how politics informs her work. Your 2008–09 work, Threat, is on show at Copenhagen Contemporary. Shilpa Gupta doesn’t like to speak about her art. What happens when we need to be legitimised by international institutions? Another fragment – ‘What you want to hear is not what it is, but what you want it to be’ – is a response to herding and trying to make sense of the fake messages that keep beeping on my phone. Installation 300 x 130 x 340 cm (118 x 51 x 134 in). In another instance of how location has played out is, I remember, in 2006, when I was showing There is No Border Here flag wall-drawing at Havana Biennial, it was moving to see people weep in front of the work – to have strangers come and give me a hug. AR In an interview you said you didn’t want to be called a political artist but an artist of the everyday. Andrew Dickson. Within the framework of the official collateral programme of events at this year’s Venice Biennale, Rashid Rana and Shilpa Gupta are bringing Pakistan and India together on the international art stage, opening up a dialogue on the notion of borders and nationhood. Instead, there are 300. But also working on the idea: is this craft, this crocheting, also art? Interview : Rashid Rana and Shilpa Gupta on ‘My East in Your West’, their joint collateral event at Venice Biennale 2015 My East Is Your West, a collateral event of the Venice Biennale to be held in Palazzo Benzon, is a coming together of two contemporary artists – Shilpa Gupta and Rashid Rana – from India and Pakistan respectively. She established the Jindal Arts Centre in 1992 at the National Centre for Performing Art in Mumbai, and is the President of Art India magazine, a leading contemporary art magazine. Sensex @50,000: Why is it happening, and what next for investors? UP Police gives Covid-19 twist to Sholay scene, Jio now offering 1GB data for Rs 11: Here’s what Airtel, Vi and BSNL are offering, Madam Chief Minister movie review: Richa Chadha’s film is strictly passable, Islamic State claims responsibility for deadly twin blasts in Baghdad, IISc researchers develop software platform for tracking missing persons, objects, WandaVision is a game changer for MCU. Studio International is published by: There was a work I made for the show New Indian Art: Home Street Shrine Bazaar Museum at Manchester City Gallery in 2002, and I brought in more than 1,500 objects that had been crocheted. In their dispersal, here, the question of the poets from the prison - Shilpa Speaking... A year later, both of them tried to mend ways, not. You brought that up name in Bigg Boss 11 | Shilpa Shinde and Vikas are still.! 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